In
the last couple of years, I’ve not done much reading of other author’s work,
though I have bought several books I do intend to read.
Recently, I
read, and very much enjoyed, William Nash’s USA: Eliminated! (The Jupiter
Factor Series) (Volume 1). Also, at my son’s insistence I read Ernest Cline’s
Ready Player One.
What
I find now is that I read other’s work with a different set of eyes, writer’s
eyes, if you will.
I
imagine many writers do the same (I’d hate to think I’m the odd man out). For
me, I look for the beats. You know, from Blake Snyder’s Save the Cat”?
I’ll
identify the tone of the story being set, the introduction of the theme, the
background story, and when the author changes the world and thereby sets the
story into motion.
Not
a bad thing, all in all, but lately I’m reading with a highlighter, I make
notes in the margins, it’s like collage all over again (without the beer and
cold pizza).
The
way I see it, if your reading a book that made it onto the New York Times best
sellers list, you should pay attention. What is the author doing that I’m not?
What’s the author’s style of writing? How has the author organized the story,
and so on?
As I
sit here typing I note the books on the shelf to my left: The Writer's Guide to
Creating a Fictional Universe, Shaping the Story, Breaking into Fiction, Your First
Novel, Novelist’s Boot Camp, Save the Cat, Science Fiction and Fantasy, and
many more. I have found all useful, but I’m now learning from the within the
pages of successful author’s works.
I
really don’t want to change my writing style, but improve on it. I want to
establish good writing habits and develop my inner sight to better see where
the story needs to go and remain focused.
I’ve
rewritten the beats, for no other reason than to clarify them for myself. I
offer them here for your consideration:
·
Intro
of main characters
·
Intro
of villains
·
Description
of situation – creation of conflict
·
Situation
is bad, heroes see a path to resolution.
·
Heroes
are pushed into action.
·
Initial
success, just enough to get the attention of the bad guys.
·
Situation
worsens for heroes.
·
Hero
questions his actions.
·
Events
strengthen hero’s resolve.
·
Hero’s
actions raise the stakes. Love/loved ones are threatened.
·
Hero
forces final conflict.
·
Hero
is victorious, just barely, villain gets just deserts.
·
Heroes
live happily ever after.
(I
also have a version should the hero not succeed in his quest, another if he’s
an anti-hero).
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