TJ and the Tomatoes by Jodi Lea Stewart

Cherokee purple heirloom tomatoes

It's Spring! Time to think about  . . . Tomatoes! How we love them. How we need them.

Need them?

Sure. I’ll prove it.

Forget all the antioxidant lycopene, the vitamins C and K, the potassium and folate packed inside these little guys . . . 

and just try to imagine a plate of spaghetti and meatballs, or Aunt Bella's best lasagna, without a delicious, red sauce *gravy, as many Italians call it*. 

Envision simply ordering pizza with a white Alfredo sauce or a cheese sauce forever.

Scary, isn't it?

Red sauce = tomatoes.

Salsa = tomatoes.

Ketchup = tomatoes.

Must I go on?

Yes, I must go on, because . . . think of it . . . nothing but tomatoes can make our green salads both juicy AND beautiful.

Since we admit we need them, what about the asphalt-tasting tomatoes we buy at the store?

First of all, don’t blame the tomatoes. They’re innocent. Tomatoes grown for commercial purposes can’t luxuriate at the Riviera in the sunshine until they are red and ready. They are harvested from the vine while still green, gassed with ethylene – which turns them pukey-pink inside – and shipped off to stores to wind up in your sauces, soups, and salads. 

They look sick and have no taste because they ARE sick.

Did Thomas Jefferson (TJ) have to tolerate crappy tasteless tomatoes?

Thomas Jefferson was indisputably the most enthusiastic gardener-president we’ve ever had in the White House. He kept a garden calendar from 1767 to 1824, and he never failed to plant his delicious tomatoes. They appeared often in the Jefferson family recipes, even though tomatoes were not widely popular at the time.

Jefferson loved tomatoes.  And he should have.

They were delicious, different “creatures” in those days.

Even most home-garden grown tomatoes and organic crops aren’t as good as the ones Thomas Jefferson produced. Why? Because TJ grew them before genetic modification. Genetic modification makes generic seeds and grocery-store vegetables:

1)      more resistant to pesticides and weed killers,

2)      easier to ship,

3)      slower to rot,

4)      tasteless . . . and of dubious nutritional value.

Fortunately, we aren't stuck with these cardboard versions of formerly delicious vegetables.

What are Heirloom Vegetables?

I found out about heirloom gardening from my mother, who found out about heirloom seeds from her sister. They had a farmer dad, you know, and it’s in their blood to know about things growing out of dirt.

Heirloom seeds are carefully harvested from strains going back thousands of years. Some descend from seeds sewn into clothes by immigrants coming to America, or from Thomas Jefferson's own garden. 

According to Jack Penman in Getting Back to America’s Roots, since these seeds evolved before the age of industrial agriculture, they often grow better under eco-friendly practices. Did you get that? They’re naturally hardy and disease resistant without chemicals.

Lucky Tiger Heirloom Tomatoes

Jere Gettle, owner of Baker Creed Heirloom Seeds, sends out two million heirloom seed packets a year and says that number is rising at about thirty percent annually. 

Who knew?

Added bonus: You can buy enough seeds to grow a crop for three years for less than ten dollars. Plus, you won’t have to reorder if you save your seeds. 

So, choosing pasty, yucky tomatoes or full-bodied delicious ones related to the ones from Thomas Jefferson's own garden is now a matter of choice.

Heirloom Vegetables in Public Display Gardens

Sharlot Hall Museum, Prescott, Arizona

There are several places to see public gardens growing heirloom vegetables and flowers. Places like Sharlot Hall Museum in Prescott, Arizona; Bernhard Museum Complex in Auburn, California; and Garfield Farm and Inn Museum in LaFox, Illinois, to name a few. 

Check them out! See some. Grow some! 

*****

What about you?  

Do you ever worry about the gases they use to "ripen" our fruits and vegetables? What about hybrids and genetic modification . . . scary or not scary? I'll say this, I've learned that none of us is getting out of this world alive. Therefore, our quality of life while we're here should be pretty important. Upping the quality of the food we eat may be part of seeking that higher ground.

I always love to hear from you!

*****

http://jodileastewart.com/

Jodi Lea Stewart was born in Texas to an "Okie" mom and a Texan dad. Her younger years were spent in Texas and Oklahoma; hence, she knows all about biscuits and gravy, blackberry picking, chiggers, and snipe hunting. At the age of eight, she moved to a vast cattle ranch in the White Mountains of Arizona. As a teen, she left her studies at the University of Arizona in Tucson to move to San Francisco, where she learned about peace, love, and exactly what she DIDN'T want to do with her life. Since then, Jodi graduated summa cum laude with a BS in Business Management, raised three children, worked as an electro-mechanical drafter, penned humor columns for a college periodical, wrote regional western articles, and served as managing editor of a Fortune 500 corporate newsletter. 

She is the author of a contemporary trilogy set in the Navajo Nation featuring a Navajo protagonist, as well as two historical novels. Her most recent novels are Blackberry Road and The Accidental Road. She currently resides in Arizona with her husband, her delightful 90+-year-old mother, a crazy Standard poodle named Jazz, two rescue cats, and numerous gigantic, bossy houseplants.

1956 . . .

THE ACCIDENTAL ROAD

– Historical Fiction

It’s 1956, and teenager Kat and her mother escape an abusive situation only to stumble into the epicenter of crime peddlers invading Arizona and Nevada in the 1950s. Kat is a serious girl who buries herself in novels and movies and tries to be as inconspicuous as possible. Fading into the background is impossible, however, with a beautiful social butterfly of a mother who just happens to resemble Marilyn Monroe. It’s embarrassing, and the unwanted attention her mother garners could be the downfall of their plan to take Route 66 to the freedom of a new life.

Print and eBook available on Amazon.

1934 . . . 

BLACKBERRY ROAD

– Historical Fiction

Trouble sneaks in one Oklahoma afternoon in 1934 like an oily twister. A beloved neighbor is murdered, and a single piece of evidence sends the sheriff to arrest a black man that a sharecropper’s daughter knows is innocent. Hauntingly terrifying sounds seeping from the woods lead Biddy into even deeper mysteries and despair and finally into the shocking truths of that fateful summer.

Audible, Print, and eBook available on Amazon, etc.

Upon Learning the Splendid Craft of Writing by Jodi Lea Stewart

Beginning writers face many obstacles.

Recently, someone asked for advice in a writing group online. She wanted to write novels but said everything stays a draft because she feels too insecure to continue and doesn’t really know what she’s doing. 

Further, each time she writes something, it gets criticized, causing terrible self-doubt. She said she was afraid her dream of being a writer may remain a dream. She asked what she should do.

These are honest problems for beginners, and I would like to shed a little light from my own perspective.

Self-doubt

First of all, every writer goes through the self-doubt stage of wondering if she or he is truly qualified to call themselves a writer. I was still reluctant to do so after writing for university and local newspapers, becoming a western magazine columnist, and  after being made the managing editor/main writer for a Fortune 500 company newsletter.

Why is that?

I believe one reason for the self-doubt is that aspiring writers grow up having so much respect for writers, especially the ones who pen novels and books. We wonder if we have the talent and right to enter into their “sacred” world. Their world seems too full of fire pits and dragons for us to wander into it with our little fluffy *amateur* suits of armor.

To that, I say, be of good courage . . . if you write, you are a writer! Enjoy that fact, even if nothing you have written has ever been published. If you are working hard toward this goal, you are at least a struggling writer, which equals writer!

The best book I ever read on this subject and the one that actually gave me the personal confidence to pursue writing was Brenda Ueland’s book If You Want to Write. She was a journalist, editor, writer, and a teacher of writing and truly believed that anyone with the spark of desire to write can and will if they work at it. It’s an old book, and it’s full of wise and wonderful advice. If you don’t read it, you are missing something you won’t find anywhere else.

About criticism

When you are starting out, simply don’t cast your pearls before swine. In other words, write and then check your own writing. A really good way to do that and one that worked for me, provided you want to write fiction, is Self-Editing for Fiction Writers. If you don’t want to write fiction, there are multitudes of other books that can help you learn how to self-edit. Editing yourself is an important part of writing.

Another thing you must have in your life is someone who doesn’t mind giving sound craft advice and who is also successful at writing and editing. They most likely won’t be someone from your corral of friends, family, jealous acquaintances, general naysayers, or, unfortunately, fellow amateurs in your writing groups who usually have no idea what they are doing either. Sorry, but that’s the truth.

Don’t give others the opportunity to be your critic.

Take it away from them. They don’t get to see anything until you are way down the road and know you are turning out good copy. By then, it’s still not open for debate from other beginners because you have progressed and only work with professionals or other seasoned writers/editors.

So, now that you,

1. believe you can be, and are, a writer,
2. are going to stop letting other amateurs critique and belittle you,

How do you turn your dreams into reality?

Hint: It's not by being lazy.

• More and more, I hear online beginning writers say that becoming a writer involves all-natural talent so no need to read a bunch of books or go sit in a classroom or attend a seminar.
• Grammar rules? Pffft! Writing is art, so there are no rules.
• Some actually believe that reading books nowadays is just a waste of time.
• Others ask the craziest questions they should be researching themselves or not even asking in the first place, such as “How do you write a fiction novel?” and “What is it like to be in love? I want to write a romance novel.” (That one stupefied me).
• Also, I hear them tell one another that watching YouTube videos about writing is the same as reading a book about it or learning firsthand from experts.

Really?

Let’s pause and consider a few examples.

1.      You smell that certain smell in your home. You jump online searching for an electrician to come immediately before your house burns down, don’t you? Do you know that electrician has more than likely gone through four years of apprenticeship including approximately 8,000 hours of on-the-job training and more than 500 hours of classroom training?

That’s a huge time investment, isn’t it?

2.     The lawyer you call when your drunk neighbor crashes into your car parked in your own driveway and who refuses to take responsibility for it has finished twelve years of lower learning, four years of undergraduate study followed by three years of law school and had to pass the Bar Exam, as well.

Nineteen years of schooling for the privilege of becoming a lawyer!

Whether becoming a carpenter or an airline pilot, a mechanic or a real estate agent, an artist or a writer . . . the bottom line is effort. Every profession demands extensive work and commitment.

Ever hear of the immersion programs for learning a new language? Yeah, it’s like that, but more extended. We learn specialties in life by immersing ourselves in them. Why would anyone think they can become a writer simply because they enjoy writing?

Enjoyment is a by-product of writing, that’s for darned sure, but it isn’t the same as training, practice, trial and error, tutelage, classes, and all that goes into learning a craft.

Say you desire to be an essayist. You already know you have the aptitude because you loved the essay part on all your tests in school while the majority of your classmates found it akin to facing Stephen King’s Pennywise lurking in the gutters. 

Is liking to write essays enough, though? No. You will need to read and study hundreds of essays to finetune your own essay writing. You will need advice, feedback, and constructive criticism.

That’s just one of so many examples.

How about writing novels?

Let me be blunt about this. If you are not willing to study endlessly, challenge yourself continually, read and write almost every day, accept constructive criticism gracefully with the idea of improving in the process, attend writing seminars, know how to spell and use grammar properly, and not be bull-headed when the publisher asks for your manuscript in a certain format whether you think it looks “unartful” or not, then forget about writing novels.

Since I’m a novelist, I warm to that particular subject. Here are my personal tips for beginning novelists:

Read meaningful books, lots of them, on the craft of writing. Go to seminars. Subscribe to the magazine, Writer's Digest. Read novels continually. Write continually. Take a journalism class to learn how to hook readers with your first line, first paragraph, and first page of EVERY chapter. That has helped me more than anything. Learn how to punctuate and spell, and know what current publishers prefer. Right now, for example, Chicago Style ellipses are the proper way to go. Study, and study more. 

In a nutshell . . . 

• If you want to write, write!
• If others are pulling you down into the stinky swamp with their unhelpful or mean criticisms, escape! Take yourself and your talents into the sunshine.
• Lastly, realize that anything worth doing is worth the effort to learn and learn well. It won’t happen overnight. Nothing difficult and incredible does.

Precept upon precept, your knowledge will grow, and so will your confidence. Now, get out there and learn and study and write your head off!

***

http://jodileastewart.com/

Jodi Lea Stewart was born in Texas to an "Okie" mom and a Texan dad. Her younger years were spent in Texas and Oklahoma; hence, she knows all about biscuits and gravy, blackberry picking, chiggers, and snipe hunting. At the age of eight, she moved to a vast cattle ranch in the White Mountains of Arizona. As a teen, she left her studies at the University of Arizona in Tucson to move to San Francisco, where she learned about peace, love, and exactly what she DIDN'T want to do with her life. Since then, Jodi graduated summa cum laude with a BS in Business Management, raised three children, worked as an electro-mechanical drafter, penned humor columns for a college periodical, wrote regional western articles, and served as managing editor of a Fortune 500 corporate newsletter. 

She is the author of a contemporary trilogy set in the Navajo Nation featuring a Navajo protagonist, as well as two historical novels. Her most recent novels are Blackberry Road and The Accidental Road. She currently resides in Arizona with her husband, her delightful 90+-year-old mother, a crazy Standard poodle named Jazz, two rescue cats, and numerous gigantic, bossy houseplants.

1956 . . .

THE ACCIDENTAL ROAD

– Historical Fiction

It’s 1956, and teenager Kat and her mother escape an abusive situation only to stumble into the epicenter of crime peddlers invading Arizona and Nevada in the 1950s. Kat is a serious girl who buries herself in novels and movies and tries to be as inconspicuous as possible. Fading into the background is impossible, however, with a beautiful social butterfly of a mother who just happens to resemble Marilyn Monroe. It’s embarrassing, and the unwanted attention her mother garners could be the downfall of their plan to take Route 66 to the freedom of a new life.

Print and eBook available on Amazon.

1934 . . . 

BLACKBERRY ROAD

– Historical Fiction

Trouble sneaks in one Oklahoma afternoon in 1934 like an oily twister. A beloved neighbor is murdered, and a single piece of evidence sends the sheriff to arrest a black man that a sharecropper’s daughter knows is innocent. Hauntingly terrifying sounds seeping from the woods lead Biddy into even deeper mysteries and despair and finally into the shocking truths of that fateful summer.

Audible, Print, and eBook available on Amazon, etc.

Painting Museum-Quality Art with Words by Jodi Lea Stewart

Why is the journey through a historical novel so different from regular reading?

Because for that brief time, YOU ARE THERE!

In the 1950s and 1960s, CBS featured Walter Cronkite narrating a history series that teachers especially fell in love with. Dramatic presentations of historical events put the listener or viewer into the scene as it happened. Before becoming a television series, the programs were heard on the radio.

What made the series brilliant and endlessly interesting was how Cronkite gave a short introduction, an announcer gave the date and the event, and then that loud proclamation, “You are there!” was heard by the audience.

Wow!

Historical events such as signing the Constitution, Joan of Arc’s dilemma, the Spanish conquest of the Aztec Empire, the death of Cleopatra, famous fights, and legendary tragedies were dramatically reenacted.

Cronkite noted the type of day it was when the incident occurred, what else was going on in and around the famous happening, even what the weather was like. Thusly, he immersed the viewer in the tone and feeling of that particular time and event. He orally painted the picture for the audience.

Historical fiction writers paint more than pictures with their words

All writers must paint pictures with words, but historical writers have to paint museum-quality art with their words. They must depict the look, feel, smell, and concurrent events of the time era around their amazing plot. The more skillful the writer is in employing the five senses without bogging down the reader, the more successful he is at kidnapping the reader for an unforgettable journey into the past.

How do you do it? Make readers smell that apple pie cooling on a window ledge. Make them feel the rain spattering on the protagonist’s silk drop-shoulder hoop dress as she runs for shelter. Let them see the brilliant sunset beginning to bleed behind your main character as he tells his finance he is going off to war. Make readers hear that lonesome train's whistle as clouds of steam permeate the still, frosty night.

A fine line

There are joys and pitfalls to writing historical fiction. It's gloriously fun to delve into other time periods and share your findings along with your plot and characters. It can be so much fun, there is a tendency to overdo. Think about the stomachache you got from eating too much candy when you were a kid. Yikes! Too much of a good thing!

It's the same with overdoing historical facts and trivia as you write your story. It's a fine line. With so much relevant and irrelevant research the author uncovers while delving into a particular historical time and subject, he or she must not forget that the reader does not care about every detail of every piece of furniture, of every room, of every old car, of every battle, and so on. 

Don’t kill on-fire interest with trivia that pulls the reader off the main road and onto a hundred divergent trails. Use what you have garnered in research to flavor your story. Learn to “paint” a setting in a few words. Find clever ways to insert facts or feelings that work toward ushering readers into the world you are painting.

If the writer stays in the moment, so will the reader. Don’t go too crazy with details, keep the facts pure *or you’ll be found out*, and love every moment of creating something that will take readers to places they never dreamed they could go.

Then, YOU will be the one declaring, “You are there!”

***

http://jodileastewart.com/

Jodi Lea Stewart was born in Texas to an "Okie" mom and a Texan dad. Her younger years were spent in Texas and Oklahoma; hence, she knows all about biscuits and gravy, blackberry picking, chiggers, and snipe hunting. At the age of eight, she moved to a vast cattle ranch in the White Mountains of Arizona. As a teen, she left her studies at the University of Arizona in Tucson to move to San Francisco, where she learned about peace, love, and exactly what she DIDN'T want to do with her life. Since then, Jodi graduated summa cum laude with a BS in Business Management, raised three children, worked as an electro-mechanical drafter, penned humor columns for a college periodical, wrote regional western articles, and served as managing editor of a Fortune 500 corporate newsletter. 

She is the author of a contemporary trilogy set in the Navajo Nation featuring a Navajo protagonist, as well as two historical novels. Her most recent novels are Blackberry Road and The Accidental Road. She currently resides in Arizona with her husband, her delightful 90+-year-old mother, a crazy Standard poodle named Jazz, two rescue cats, and numerous gigantic, bossy houseplants.

1956 . . .

THE ACCIDENTAL ROAD

– Historical Fiction

It’s 1956, and teenager Kat and her mother escape an abusive situation only to stumble into the epicenter of crime peddlers invading Arizona and Nevada in the 1950s. Kat is a serious girl who buries herself in novels and movies and tries to be as inconspicuous as possible. Fading into the background is impossible, however, with a beautiful social butterfly of a mother who just happens to resemble Marilyn Monroe. It’s embarrassing, and the unwanted attention her mother garners could be the downfall of their plan to take Route 66 to the freedom of a new life.

Print and eBook available on Amazon.

1934 . . . 

BLACKBERRY ROAD

– Historical Fiction

Trouble sneaks in one Oklahoma afternoon in 1934 like an oily twister. A beloved neighbor is murdered, and a single piece of evidence sends the sheriff to arrest a black man that a sharecropper’s daughter knows is innocent. Hauntingly terrifying sounds seeping from the woods lead Biddy into even deeper mysteries and despair and finally into the shocking truths of that fateful summer.

Audible, Print, and eBook available on Amazon, etc.